Debut of the Dancing Curtains at the ITP Gallery.

Debut of the Ribs at the ITP Gallery

Debut of the Butterlfly at the ITP Gallery.

Culminating exhibition at the Tiche Galla, displaying the Ribs.

In 2006, Arc Harp became American contemporary installation artist Jen Lewin’s first project to be brought to Burning Man. Part of Jen Lewin’s Laser Harp Series, Arc Harp is an outdoor, 60 string light sculpture designed for public play. Each of the light strings in the Arc Harp can sense user movement, speed and tempo. Individual strings will mix its own library of sounds to create a depth and tone that compliments public activity and random or organized musical play.

A solo exhibition at the CU Art Museum, brought forward Jen Lewin’s creation, Arc Harp. Part of Jen Lewin’s Laser Harp Series, Arc Harp is an outdoor, 60 string light sculpture designed for public play. Each of the light strings in the Arc Harp can sense user movement, speed and tempo. Individual strings will mix its own library of sounds to create a depth and tone that compliments public activity and random or organized musical play. Arc Harp makes up part of the largest Laser Harp collection in the world.

Jen Lewin combines her studies in engineering, computer programming, dance, music and film to create public artworks that engage the body and the senses. Her works have been featured at a variety of events, including the Istanbul Light Festival, Vivid Sydney 2014 and 2018, iLight Marina Bay, Signal Fest and Burning Man; art biennales in Denver, Colorado and Gwangju, South Korea; and solo exhibitions across the United States and in Mexico, Portugal and England. Lewin has designed and installed permanent public interactive sculptures worldwide, including the Sidewalk Harp in Minneapolis; Magical Harp in Palo Alto, Calif.; Promenade in Denver, Colo.; and Ascent in Coral Springs, Fla.

Participants at NextFest’s 2006 edition were treated to Jen Lewin’s Laser Harps, Arc Harp and Long Harp. Part of Jen Lewin’s Laser Harp Series, Arc Harp and Long Harp are 60 string light sculptures designed for public play. Each of the light strings in the Harps can sense user movement, speed and tempo. Individual strings will mix its own library of sounds to create a depth and tone that compliments public activity and random or organized musical play. These harps make up part of the largest Laser Harp collection in the world.

Viewers at The Dairy Center for the Performing Arts in Boulder, Colorado had the opportunity to experience Jen Lewin’s Arc Harp. Part of Jen Lewin’s Laser Harp Series, Arc Harp and Long Harp are 60 string light sculptures designed for public play. Each of the light strings in the Harps can sense user movement, speed and tempo. Individual strings will mix its own library of sounds to create a depth and tone that compliments public activity and random or organized musical play. These harps make up part of the largest Laser Harp collection in the world.

2007’s iteration of Ingenuity saw American contemporary installation artist Jen Lewin exhibit the Arc Harp. A sound and light based installation, the Arc Harp is part of Jen Lewin’s Laser Harp Series, Arc Harp is a 60 string light sculptures designed for public play. Each of the light strings in the Harps can sense user movement, speed and tempo. Individual strings will mix its own library of sounds to create a depth and tone that compliments public activity and random or organized musical play. These harps make up part of the largest Laser Harp collection in the world.

American contemporary installation artist Jen Lewin brought her light and sound sculpture, Arc Harp to the Playa for the 2007 iteration of Burning Man. Part of Jen Lewin’s Laser Harp Series, Arc Harp is an outdoor, 60 string light sculpture designed for public play. Each of the light strings in the Arc Harp can sense user movement, speed and tempo. Individual strings will mix its own library of sounds to create a depth and tone that compliments public activity and random or organized musical play.

During September of 2007, Jen Lewin’s Long Harp visited Wired’s NextFest. Part of Jen Lewin’s Laser Harp Series, Long Harp is an indoor, 60 string light sculpture designed for public play. These harps have varied from art installations, to stage, and performance installations and large outdoor sculptures. The Laser Harp Series is an evolution of immersive installations using movement and laser light to trigger sound. The Long Harp makes up a part of the largest Laser Harp collection in the world.

Jen Lewin combines her studies in engineering, computer programming, dance, music and film to create public artworks that engage the body and the senses. Her works have been featured at a variety of events, including the Istanbul Light Festival, Vivid Sydney 2014 and 2018, iLight Marina Bay, Signal Fest and Burning Man; art biennales in Denver, Colorado and Gwangju, South Korea; and solo exhibitions across the United States and in Mexico, Portugal and England. Lewin has designed and installed permanent public interactive sculptures worldwide, including the Sidewalk Harp in Minneapolis; Magical Harp in Palo Alto, Calif.; Promenade in Denver, Colo.; and Ascent in Coral Springs, Fla.

Jen Lewin Studio was excited to participate in the Gwangju Design Biennale, debuting the Long Harp in its first international exhibition. Part of Jen Lewin’s Laser Harp Series, Long Harp is an indoor, 60 string light sculpture designed for public play. These harps have varied from art installations, to stage, and performance installations and large outdoor sculptures. The Laser Harp Series is an evolution of immersive installations using movement and laser light to trigger sound.

Jen Lewin combines her studies in engineering, computer programming, dance, music and film to create public artworks that engage the body and the senses. Her works have been featured at a variety of events, including the Istanbul Light Festival, Vivid Sydney 2014 and 2018, iLight Marina Bay, Signal Fest and Burning Man; art biennales in Denver, Colorado and Gwangju, South Korea; and solo exhibitions across the United States and in Mexico, Portugal and England. Lewin has designed and installed permanent public interactive sculptures worldwide, including the Sidewalk Harp in Minneapolis; Magical Harp in Palo Alto, Calif.; Promenade in Denver, Colo.; and Ascent in Coral Springs, Fla.

During a solo exhibition at the Atlas Center at the University of Colorado, Jen Lewin introduced the Moths. The three, soft interactive robotic forms are charged to movement by human connection. Moths are a participatory art piece; only by stopping and connecting physically do they come to life. The longer one stays, the longer the moth will continue to move even when the viewer leaves. Moths speak to light, to community, to gathering, and have an open ethereal dream like quality that will gracefully dance and glow in space.

A grant funded Burning Man project, The Pool came to life during the 2008 Burning Man festival. Using custom, in-house technology, The Pool activated that year’s Burning Man community, bringing joy and a unique, interactive experience to each participant.

Jen Lewin combines her studies in engineering, computer programming, dance, music and film to create public artworks that engage the body and the senses. Her works have been featured at a variety of events, including the Istanbul Light Festival, Vivid Sydney 2014 and 2018, iLight Marina Bay, Signal Fest and Burning Man; art biennales in Denver, Colorado and Gwangju, South Korea; and solo exhibitions across the United States and in Mexico, Portugal and England. Lewin has designed and installed permanent public interactive sculptures worldwide, including the Sidewalk Harp in Minneapolis; Magical Harp in Palo Alto, Calif.; Promenade in Denver, Colo.; and Ascent in Coral Springs, Fla.

For only its second exhibition ever, The Pool joined thousands of other participants during the 2009 iteration of Burning Man. Created in 2008, The Pool was installed as a large-scale, interactive landscape built out of concentric rings of illuminated platforms.

The sculpture invites each individual to move around, among, and on the platforms, watching as their interactions create washes of vibrant color through the sculpture. Like all of Lewin’s work, The Pool allows for an unprecedented level of interactivity, transforming the way we interact with Art and each other, bringing everyone together in the Art of Play.

Using two of her dynamic Laser Harps, American contemporary installation artist Jen Lewin helped open the newest Tesla location in Boulder, Colorado. Part of Jen Lewin’s Laser Harp Series, Arc Harp and Long Harp are 60 string light sculptures designed for public play. Each of the light strings in the Harps can sense user movement, speed and tempo. Individual strings will mix its own library of sounds to create a depth and tone that compliments public activity and random or organized musical play.

During the Summer 2009, Jen Lewin Studio was proud to present Arc Harp at the Voodoo Festival. Part of Jen Lewin’s Laser Harp Series, Arc Harp is an outdoor, 60 string light sculpture designed for public play. Each of the light strings in the Arc Harp can sense user movement, speed and tempo. Individual strings will mix its own library of sounds to create a depth and tone that compliments public activity and random or organized musical play.

Jen Lewin combines her studies in engineering, computer programming, dance, music and film to create public artworks that engage the body and the senses. Her works have been featured at a variety of events, including the Istanbul Light Festival, Vivid Sydney 2014 and 2018, iLight Marina Bay, Signal Fest and Burning Man; art biennales in Denver, Colorado and Gwangju, South Korea; and solo exhibitions across the United States and in Mexico, Portugal and England. Lewin has designed and installed permanent public interactive sculptures worldwide, including the Sidewalk Harp in Minneapolis; Magical Harp in Palo Alto, Calif.; Promenade in Denver, Colo.; and Ascent in Coral Springs, Fla.

One of American contemporary installation artist Jen Lewin’s original interactive sculptures, The Pool joined an exhibition for Electric Daisy Carnival’s single night festival in Dallas, Texas. The Pool possesses the unique ability to compliment public interaction with the exhibition through washes of vibrant color that follow users as they move amongst and on the illuminated platforms.

Jen Lewin combines her studies in engineering, computer programming, dance, music and film to create public artworks that engage the body and the senses. Her works have been featured at a variety of events, including the Istanbul Light Festival, Vivid Sydney 2014 and 2018, iLight Marina Bay, Signal Fest and Burning Man; art biennales in Denver, Colorado and Gwangju, South Korea; and solo exhibitions across the United States and in Mexico, Portugal and England.

Jen Lewin Studio was excited to exhibit The Pool at the beautiful Montreal Balloon Festival in Montreal, Canada for its first international exhibition. Created in 2008 by American contemporary installation artist Jen Lewin, The Pool is large-scale, interactive landscape built out of concentric rings of illuminated platforms.

With over fifty installations worldwide, The Pool is one of the most prolific traveling sculptures in the world. Using custom, in-house technology, The Pool activates every installation location, bringing joy and a unique, interactive experience to each participant.

Created in 2008, The Pool joined Electric Daisy Carnival for another iteration of raucous fun. A large-scale, interactive landscape built out of concentric rings of illuminated platforms, it is one of the most prolific traveling sculptures in the world.

The sculpture invites each individual to move around, among, and on the platforms, watching as their interactions create washes of vibrant color through the sculpture. Like all of Lewin’s work, The Pool allows for an unprecedented level of interactivity, transforming the way we interact with Art and each other, bringing everyone together in the Art of Play.

One of American contemporary installation artist Jen Lewin’s original interactive sculptures, The Pool joined an awareness activation for the Ocean Coalition in Boulder, Colorado. The Pool possesses the unique ability to compliment public interaction with the exhibition through washes of vibrant color that follow users as they move amongst and on the illuminated platforms.

Jen Lewin combines her studies in engineering, computer programming, dance, music and film to create public artworks that engage the body and the senses. Her works have been featured at a variety of events, including the Istanbul Light Festival, Vivid Sydney 2014 and 2018, iLight Marina Bay, Signal Fest and Burning Man; art biennales in Denver, Colorado and Gwangju, South Korea; and solo exhibitions across the United States and in Mexico, Portugal and England.

Part of Jen Lewin’s Laser Harp Series, Long Harp is an indoor, 60 string light sculpture designed for public play. During the Summer of 2012, Long Harp exhibited at Museum of Outdoor Arts in Denver, Colorado. These harps have varied from art installations, to stage, and performance installations and large outdoor sculptures.

Jen Lewin combines her studies in engineering, computer programming, dance, music and film to create public artworks that engage the body and the senses. Her works have been featured at a variety of events, including the Istanbul Light Festival, Vivid Sydney 2014 and 2018, iLight Marina Bay, Signal Fest and Burning Man; art biennales in Denver, Colorado and Gwangju, South Korea; and solo exhibitions across the United States and in Mexico, Portugal and England. Lewin has designed and installed permanent public interactive sculptures worldwide, including the Sidewalk Harp in Minneapolis; Magical Harp in Palo Alto, Calif.; Promenade in Denver, Colo.; and Ascent in Coral Springs, Fla.

The Summer of 2012 saw Jen Lewin’s outdoor sound and light sculpture, Arc Harp appear on the Playa. Part of Jen Lewin’s Laser Harp Series, Arc Harp is an outdoor, 60 string light sculpture designed for public play. Each of the light strings in the Arc Harp can sense user movement, speed and tempo. Individual strings will mix its own library of sounds to create a depth and tone that compliments public activity and random or organized musical play.

Part of the Jen Lewin’s Laser Harp Series, Long Harp is an indoor, 60 string light sculpture designed for public play. During the Fall of 2012, Long Harp came to Do You See What I See? Denver for a single day exhibit. These harps have varied from art installations, to stage, and performance installations and large outdoor sculptures.

Jen Lewin combines her studies in engineering, computer programming, dance, music and film to create public artworks that engage the body and the senses. Her works have been featured at a variety of events, including the Istanbul Light Festival, Vivid Sydney 2014 and 2018, iLight Marina Bay, Signal Fest and Burning Man; art biennales in Denver, Colorado and Gwangju, South Korea; and solo exhibitions across the United States and in Mexico, Portugal and England. Lewin has designed and installed permanent public interactive sculptures worldwide, including the Sidewalk Harp in Minneapolis; Magical Harp in Palo Alto, Calif.; Promenade in Denver, Colo.; and Ascent in Coral Springs, Fla.

Created in 2008, The Pool journeyed to SXSW in Austin, Texas for the 2013 iteration of technology conference. A large-scale, interactive landscape built out of concentric rings of illuminated platforms, it is one of the most prolific traveling sculptures in the world.

The sculpture invites each individual to move around, among, and on the platforms, watching as their interactions create washes of vibrant color through the sculpture. Like all of Lewin’s work, The Pool allows for an unprecedented level of interactivity, transforming the way we interact with Art and each other, bringing everyone together in the Art of Play.

A large solo exhibition of several of Jen’s interactive sculpturest at the CU Art Museum.

One of American contemporary installation artist Jen Lewin’s original interactive sculptures, The Pool ventured to Electric Daisy Carnival for one of its many, raucous iterations. The Pool possesses the unique ability to compliment public interaction with the exhibition through washes of vibrant color that follow users as they move amongst and on the illuminated platforms.

Jen Lewin combines her studies in engineering, computer programming, dance, music and film to create public artworks that engage the body and the senses. Her works have been featured at a variety of events, including the Istanbul Light Festival, Vivid Sydney 2014 and 2018, iLight Marina Bay, Signal Fest and Burning Man; art biennales in Denver, Colorado and Gwangju, South Korea; and solo exhibitions across the United States and in Mexico, Portugal and England.

Jen Lewin Studio was excited to bring The Pool to Escape From Wonderland for an exciting single night exhibition. Created in 2008 by American contemporary installation artist Jen Lewin, The Pool is large-scale, interactive landscape built out of concentric rings of illuminated platforms.

With over fifty installations worldwide, The Pool is one of the most prolific traveling sculptures in the world. Using custom, in-house technology, The Pool activates every installation location, bringing joy and a unique, interactive experience to each participant.

During the Summer of 2013, contemporary American installation artist Jen Lewin introduced two of her sculptures, The Pool and Arc Lamps at the Biennial of The Americas in Denver, Colorado. Each sculpture provided a unique perspective for the public to view and interact with. Constructed in 2013, the Arc Lamps are five individual chandeliers constructed out of recycled oversized light bulbs and custom LED lights. The design was based off of the Edison Chandelier, using a similar construction but pushing the boundaries of scale by incorporating bulbs still being used in commercial lighting. Arc Lamps currently hang in The Studio (Boulder).

Created in 2008, The Pool is a large-scale interactive sculpture that invites each individual to move around, among, and on the platforms, watching as their interactions create washes of vibrant color through the sculpture.

Jen Lewin combines her studies in engineering, computer programming, dance, music and film to create public artworks that engage the body and the senses. Her works have been featured at a variety of events, including the Istanbul Light Festival, Vivid Sydney 2014 and 2018, iLight Marina Bay, Signal Fest and Burning Man; art biennales in Denver, Colorado and Gwangju, South Korea; and solo exhibitions across the United States and in Mexico, Portugal and England. Lewin has also designed and installed permanent public interactive sculptures worldwide, including the Sidewalk Harp in Minneapolis; Magical Harp in Palo Alto, Calif.; Promenade in Denver, Colo.; and Ascent in Coral Springs, Fla.

During the Fall of 2013, contemporary American installation artist Jen Lewin introduced both of her sculptures, The Pool and Chandelier Harp at Artsfest in Conway, Arkansas. Each sculpture invites the user to interact with the piece and other users around them, inviting everyone to join in the Art of Play.

Jen Lewin combines her studies in engineering, computer programming, dance, music and film to create public artworks that engage the body and the senses. Her works have been featured at a variety of events, including the Istanbul Light Festival, Vivid Sydney 2014 and 2018, iLight Marina Bay, Signal Fest and Burning Man; art biennales in Denver, Colorado and Gwangju, South Korea; and solo exhibitions across the United States and in Mexico, Portugal and England. Lewin has also designed and installed permanent public interactive sculptures worldwide, including the Sidewalk Harp in Minneapolis; Magical Harp in Palo Alto, Calif.; Promenade in Denver, Colo.; and Ascent in Coral Springs, Fla.

Created in 2008, The Pool was installed at Chalk The Block in El Paso, Texas. A large-scale, interactive landscape built out of concentric rings of illuminated platforms, it is one of the most prolific traveling sculptures in the world.

The sculpture invites each individual to move around, among, and on the platforms, watching as their interactions create washes of vibrant color through the sculpture. Like all of Lewin’s work, The Pool allows for an unprecedented level of interactivity, transforming the way we interact with Art and each other, bringing everyone together in the Art of Play.

Created in 2012 by American contemporary installation artist, Jen Lewin, Chandelier Harp installed at Luminosity in Lexington, Kentucky.

Chandelier Harp is an interactive instrument played by passing your body through the low voltage lasers that shine from the Chandelier Harp to the ground. Much like plucking the string of a harp, passing through the beams triggers custom circuitry and sensors to produce musical notes. Users play to create an ambiance that is individual to the moment of interaction. When crowds flock to it and people start to play independently, the group’s chaotic activity give the piece life, as if everyone is, unknowingly, participating in a musical symphony. Each ‘string’ will mix its own library of sounds to create a depth and tone that compliments the public activity and random or organized play.

One of American contemporary installation artist Jen Lewin’s original interactive sculptures, The Pool made its first journey off the North American Continent to iLight Marina Bay. The Pool possesses the unique ability to compliment public interaction with the exhibition through washes of vibrant color that follow users as they move amongst and on the illuminated platforms.

Jen Lewin combines her studies in engineering, computer programming, dance, music and film to create public artworks that engage the body and the senses. Her works have been featured at a variety of events, including the Istanbul Light Festival, Vivid Sydney 2014 and 2018, iLight Marina Bay, Signal Fest and Burning Man; art biennales in Denver, Colorado and Gwangju, South Korea; and solo exhibitions across the United States and in Mexico, Portugal and England.

Jen Lewin Studio was excited to exhibit The Pool at Vivid Sydney, in Sydney, Australia. Created in 2008 by American contemporary installation artist Jen Lewin, The Pool is large-scale, interactive landscape built out of concentric rings of illuminated platforms.

With over fifty installations worldwide, The Pool is one of the most prolific traveling sculptures in the world. Using custom, in-house technology, The Pool activates every installation location, bringing joy and a unique, interactive experience to each participant.

Jen Lewin Studio was excited to exhibit The Super Pool at the AHA! Cleveland. Created in 2014 by American contemporary installation artist Jen Lewin, The Super Pool is large-scale, interactive landscape built out of concentric rings of illuminated platforms.

Using custom, in-house technology and its huge footprint, The Super Pool directly activates every installation location, bringing joy and a unique, interactive experience to each participant.

For a second time in as many years, Burning Man’s Playa saw Jen Lewin’s Super Pool leave a mark on its participants. The Super Pool increases the diameter of The Pool and doubles the number of platforms in the sculpture, enhancing the number of participants that can join in the fun at any one time.

The sculpture invites each individual to move around, among, and on the platforms, watching as their interactions create washes of vibrant color through the sculpture. Like all of Lewin’s work, The Super Pool allows for an unprecedented level of interactivity, transforming the way we interact with Art and each other, bringing everyone together in the Art of Play.

Jen Lewin Studio was excited to exhibit The Pool at Art de Colombo in the Colombo Mall. Created in 2008 by American contemporary installation artist Jen Lewin, The Pool is large-scale, interactive landscape built out of concentric rings of illuminated platforms. This exhibition featured The Pool installed inside the wonderWALL, designed by LIKEarchitects.

With over fifty installations worldwide, The Pool is one of the most prolific traveling sculptures in the world. Using custom, in-house technology, The Pool activates every installation location, bringing joy and a unique, interactive experience to each participant.

One of American contemporary installation artist Jen Lewin’s original interactive sculptures, The Pool ventured to Prague for SIGNAL Festival during the Fall of 2014. Like all of Lewin’s works, The Pool possesses the unique ability to compliment public interaction with the exhibition through washes of vibrant color that follow users as they move amongst and on the illuminated platforms.

Jen Lewin combines her studies in engineering, computer programming, dance, music and film to create public artworks that engage the body and the senses. Her works have been featured at a variety of events, including the Istanbul Light Festival, Vivid Sydney 2014 and 2018, iLight Marina Bay, Signal Fest and Burning Man; art biennales in Denver, Colorado and Gwangju, South Korea; and solo exhibitions across the United States and in Mexico, Portugal and England.

Created in 2008, The Pool journeyed to the University of Warwick for an extended outdoor solo exhibition. A large-scale, interactive landscape built out of concentric rings of illuminated platforms, it is one of the most prolific traveling sculptures in the world.

The sculpture invites each individual to move around, among, and on the platforms, watching as their interactions create washes of vibrant color through the sculpture. Like all of Lewin’s work, The Pool allows for an unprecedented level of interactivity, transforming the way we interact with Art and each other, bringing everyone together in the Art of Play.

Jen Lewin Studio was excited to exhibit a brand new, custom layout of The Pool at Canal Convergence in Scottsdale, Arizona. Created in 2008 by American contemporary installation artist Jen Lewin, The Pool is large-scale, interactive landscape built out of concentric rings of illuminated platforms.

With over fifty installations worldwide, The Pool is one of the most prolific traveling sculptures in the world. Using custom, in-house technology, The Pool activates every installation location, bringing joy and a unique, interactive experience to each participant.

Created in 2008, The Pool was installed at Montreal en Lumiere. While this was certainly one of the coldest exhibitions of The Pool, it didn’t dissuade thousands from enjoying the sculpture. A large-scale, interactive landscape built out of concentric rings of illuminated platforms, The Pool is one of the most prolific traveling sculptures in the world.

The sculpture invites each individual to move around, among, and on the platforms, watching as their interactions create washes of vibrant color through the sculpture. Like all of Lewin’s work, The Pool allows for an unprecedented level of interactivity, transforming the way we interact with Art and each other, bringing everyone together in the Art of Play.

Created in 2012 by American contemporary installation artist, Jen Lewin, Chandelier Harp installed in snowy conditions outside of e-Town Hall in Boulder, Colorado.

Chandelier Harp is an interactive instrument played by passing your body through the low voltage lasers that shine from the Chandelier Harp to the ground. Much like plucking the string of a harp, passing through the beams triggers custom circuitry and sensors to produce musical notes. Users play to create an ambiance that is individual to the moment of interaction. When crowds flock to it and people start to play independently, the group’s chaotic activity give the piece life, as if everyone is, unknowingly, participating in a musical symphony. Each ‘string’ will mix its own library of sounds to create a depth and tone that compliments the public activity and random or organized play.

Jen Lewin Studio was excited to present The Pool in beautiful West Palm Beach, Florida. Created in 2008 by American contemporary installation artist Jen Lewin, The Pool is large-scale, interactive landscape built out of concentric rings of illuminated platforms.

With over fifty installations worldwide, The Pool is one of the most prolific traveling sculptures in the world. Using custom, in-house technology, The Pool activates every installation location, bringing joy and a unique, interactive experience to each participant.

One of American contemporary installation artist Jen Lewin’s original interactive sculptures, The Pool came to Bonnaroo Music Festival during the Summer of 2015. The Pool possesses the unique ability to compliment public interaction with the exhibition through washes of vibrant color that follow users as they move amongst and on the illuminated platforms.

Jen Lewin combines her studies in engineering, computer programming, dance, music and film to create public artworks that engage the body and the senses. Her works have been featured at a variety of events, including the Istanbul Light Festival, Vivid Sydney 2014 and 2018, iLight Marina Bay, Signal Fest and Burning Man; art biennales in Denver, Colorado and Gwangju, South Korea; and solo exhibitions across the United States and in Mexico, Portugal and England.

Created in 2012 by American contemporary installation artist, Jen Lewin, Chandelier Harp installed in Nur-Sultan, Kazakhstan for the Astana Arts Festival. This brought the Chandelier Harp to Central Asia for the first time.

Chandelier Harp is an interactive instrument played by passing your body through the low voltage lasers that shine from the Chandelier Harp to the ground. Much like plucking the string of a harp, passing through the beams triggers custom circuitry and sensors to produce musical notes. Users play to create an ambiance that is individual to the moment of interaction. When crowds flock to it and people start to play independently, the group’s chaotic activity give the piece life, as if everyone is, unknowingly, participating in a musical symphony. Each ‘string’ will mix its own library of sounds to create a depth and tone that compliments the public activity and random or organized play.

2014 was the first time that Burning Man witnessed Jen Lewin’s large-scale interactive sculpture, The Super Pool. By increasing the diameter of The Pool and doubling the number of platforms in the sculpture, Lewin once again increased the scope of joy and interaction that can occur at any one time on the sculpture.

Using custom, in-house technology, The Super Pool activated the Playa, bringing joy and a unique, interactive experience to each participant. The exhibition invites each individual to move around, among, and on the platforms, watching as their actions create washes of vibrant color through the sculpture. Like all of Lewin’s work, The Super Pool allows for an unprecedented level of interactivity, transforming the way we interact with Art and each other, bringing everyone together in the Art of Play.

The Pool ventured to Fort McMurray Canada’s igNIGHT festival from October 23rd to November 1st, 2015. This marked the sculpture’s most Northern exhibition.

Created in 2012 by American contemporary installation artist, Jen Lewin, Chandelier Harp installed at the Cherry Creek Arts Festival for the Summer 2015 edition of the exhibition.

Chandelier Harp is an interactive instrument played by passing your body through the low voltage lasers that shine from the Chandelier Harp to the ground. Much like plucking the string of a harp, passing through the beams triggers custom circuitry and sensors to produce musical notes. Users play to create an ambiance that is individual to the moment of interaction. When crowds flock to it and people start to play independently, the group’s chaotic activity give the piece life, as if everyone is, unknowingly, participating in a musical symphony. Each ‘string’ will mix its own library of sounds to create a depth and tone that compliments the public activity and random or organized play.

Jen Lewin Studio was excited to exhibit The Pool at Istanbul’s beautiful Zorlu Center for the Istanbul Light Festival. Created in 2008 by American contemporary installation artist Jen Lewin, The Pool is large-scale, interactive landscape built out of concentric rings of illuminated platforms.

With over fifty installations worldwide, The Pool is one of the most prolific traveling sculptures in the world. Using custom, in-house technology, The Pool activates every installation location, bringing joy and a unique, interactive experience to each participant.

Created in 2008, The Pool was installed at Luna Fete in New Orleans during the Fall of 2016. A large-scale, interactive landscape built out of concentric rings of illuminated platforms it is one of the most prolific traveling sculptures in the world.

The sculpture invites each individual to move around, among, and on the platforms, watching as their interactions create washes of vibrant color through the sculpture. Like all of Lewin’s work, The Pool allows for an unprecedented level of interactivity, transforming the way we interact with Art and each other, bringing everyone together in the Art of Play.

Social distancing and interaction are not mutually exclusive in Oklahoma City. Wear a mask as you wind your way through Campbell Art Park on Jen Lewin’s Aqueous, an interactive light installation open now to the public daily until 11pm, through October 19th. During the day, Aqueous’ surface reflects the sky, audience, and surrounding environment. At night, Aqueous engages visitors as they walk along its surface — lighting up as they step, run, jump or play along the pathway.

Jen Lewin combines her studies in engineering, computer programming, dance, music and film to create public artworks that engage the body and the senses. Her works have been featured at a variety of events, including the Istanbul Light Festival, Vivid Sydney 2014 and 2018, iLight Marina Bay, Signal Fest and Burning Man; art biennales in Denver, Colorado and Gwangju, South Korea; and solo exhibitions across the United States and in Mexico, Portugal and England. Lewin has designed and installed permanent public interactive sculptures worldwide, including the Sidewalk Harp in Minneapolis; Magical Harp in Palo Alto, Calif.; Promenade in Denver, Colo.; and Ascent in Coral Springs, Fla.

To commemorate the 2020 opening of Tokyo’s new Takanawa Gateway Station, Japan Rail East commissioned Cosmos, Jen Lewin’s newest interactive artpiece. Comprised of spiraling LED pathways, Cosmos has been engineered by Lewin to perfectly process human interaction and creates a shared space and immersive experience for collaborative play. The site-specific work will be part of the Takanawa Gateway Fest opening in the summer 2020. Spanning 15,000 sq. ft., Cosmos is the largest sculpture ever to be commissioned from the studio and features flat, interlocking LED panels that are coded to sense and respond to impact and vibration by displaying beautiful, swirling eddies of light.

Reflect, by Jen Lewin, is an immersive, multi-sensory experience that takes inspiration from the dynamic patterns created by organic systems found in nature. Spanning 2,400 square feet, the sculpture consists of three concentric rings, each made up of interactive platforms that respond to visitors’ steps, triggering splashes of light that create an ever-changing composition. The installation will encourage New Yorkers to pause for a moment of reflection and discovery, and inspire connection as the city enters a new era of hope and revival.

Domino Park is the first exhibition venue that will display Reflect in the United States. Created as a part of the larger 15,000 square foot work Cosmos, Reflect was first featured in Tokyo over the spring and summer of 2020. During the day, Reflect’s glossy dichroic surface mirrors the sky and surrounding environment, creating a surreal space and eliciting a profoundly connective experience. At night, the sculpture animates and glows as viewers move across its ever-changing illuminated panels, powered by complex code and hardware, all custom developed by the artist.

Reflect at Domino Park allows for multiple individuals to engage with the work simultaneously, while maintaining six feet of social distance, making it an ideal public artwork for this moment.

Reflect is free and open to the public March 5 – April 15, 2021. The immersive exhibit is open to park visitors between 8 a.m. EST and 10 p.m. EST every day.

Internationally renowned NYC based artist Jen Lewin will bring her interactive light landscape, The Pool, to Industry City. Built in 2008, The Pool invites visitors to walk, dance, jump and play along the field of concentric circles. By entering The Pool, you enter a world where play and collaborative movement create swirling effects of light and color. Imagine a giant canvas where you can paint and splash light collaboratively.

Inspired by Australian tidal pools, Lewin developed technology and code in order to bring this experience around the world. Using mesh-network technology and custom code, visitors can activate platforms that respond to touch—encouraging participation in an ever-changing composition.

The Pool is part of Lewin’s “Have Art, Will Travel” program, traveling to over sixty exhibition venues in more than twenty countries in the past thirteen years, including: Abu Dhabi, Beijing, Hong Kong, Istanbul, Jerusalem, Lisbon, Los Angeles, Mexico City, New York City, Prague, Shanghai, Sydney, and Taipei.

The Pool will be at Industry City starting January 28, 2022 until March 28, 2022. The piece will be open from 3pm-9pm everyday in the courtyard between Buildings 1 & 2 and is free to the public.

One of American contemporary installation artist Jen Lewin’s original interactive sculptures, The Pool joined Canary Wharf’s Winter Lights. The Pool possesses the unique ability to compliment public interaction with the exhibition through washes of vibrant color that follow users as they move amongst and on the illuminated platforms.

Jen Lewin combines her studies in engineering, computer programming, dance, music and film to create public artworks that engage the body and the senses. Her works have been featured at a variety of events, including the Istanbul Light Festival, Vivid Sydney 2014 and 2018, iLight Marina Bay, Signal Fest and Burning Man; art biennales in Denver, Colorado and Gwangju, South Korea; and solo exhibitions across the United States and in Mexico, Portugal and England.

Jen Lewin Studio was excited to exhibit The Pool in Aberdeen, Scotland for SPECTRA. Created in 2008 by American contemporary installation artist Jen Lewin, The Pool is large-scale, interactive landscape built out of concentric rings of illuminated platforms.

With over fifty installations worldwide, The Pool is one of the most prolific traveling sculptures in the world. Using custom, in-house technology, The Pool activates every installation location, bringing joy and a unique, interactive experience to each participant.

The 2016 edition of iLight Marina Bay saw the debut of Jen Lewin’s interactive sculpture Light Walk.

Light Walk is a large-scale interactive sound and light installation composed of portable interactive modules attached to existing infrastructure. By placing these modules throughout a site, Lewin creates a temporary, yet giant and fully immersive art experience. As participants move, dance and walk through Light Walk, they will trigger sound and light. As crowds flock to Light Walk, the group’s chaotic activity will create new life, as if everyone is unknowingly participating in a musical symphony.

One of American contemporary installation artist Jen Lewin’s original interactive sculptures, The Pool made its first journey to the UAE for the Mother of The Nation Festival. The Pool possesses the unique ability to compliment public interaction with the exhibition through washes of vibrant color that follow users as they move amongst and on the illuminated platforms.

Jen Lewin combines her studies in engineering, computer programming, dance, music and film to create public artworks that engage the body and the senses. Her works have been featured at a variety of events, including the Istanbul Light Festival, Vivid Sydney 2014 and 2018, iLight Marina Bay, Signal Fest and Burning Man; art biennales in Denver, Colorado and Gwangju, South Korea; and solo exhibitions across the United States and in Mexico, Portugal and England.

Created in 2008, The Pool was installed at Light City Baltimore for the 2016 spring edition of the festival. A large-scale, interactive landscape built out of concentric rings of illuminated platforms, it is one of the most prolific traveling sculptures in the world.

The sculpture invites each individual to move around, among, and on the platforms, watching as their interactions create washes of vibrant color through the sculpture. Like all of Lewin’s work, The Pool allows for an unprecedented level of interactivity, transforming the way we interact with Art and each other, bringing everyone together in the Art of Play.

Created in 2008, The Pool joined the Bahrain Light Festival during the Spring of 2016. A large-scale, interactive landscape built out of concentric rings of illuminated platforms, it is one of the most prolific traveling sculptures in the world.

The sculpture invites each individual to move around, among, and on the platforms, watching as their interactions create washes of vibrant color through the sculpture. Like all of Lewin’s work, The Pool allows for an unprecedented level of interactivity, transforming the way we interact with Art and each other, bringing everyone together in the Art of Play.

An early arrival for Jen Lewin Studio’s later move to New York City, The Pool exhibited at Astor Place for Design Pavilion in 2016. Created in 2008 by American contemporary installation artist Jen Lewin, The Pool is large-scale, interactive landscape built out of concentric rings of illuminated platforms.

With over fifty installations worldwide, The Pool is one of the most prolific traveling sculptures in the world. Using custom, in-house technology, The Pool activates every installation location, bringing joy and a unique, interactive experience to each participant.

One of American contemporary installation artist Jen Lewin’s original interactive sculptures, The Pool joined WAVE Breckenridge during the Summer of 2016. The Pool possesses the unique ability to compliment public interaction with the exhibition through washes of vibrant color that follow users as they move amongst and on the illuminated platforms.

Jen Lewin combines her studies in engineering, computer programming, dance, music and film to create public artworks that engage the body and the senses. Her works have been featured at a variety of events, including the Istanbul Light Festival, Vivid Sydney 2014 and 2018, iLight Marina Bay, Signal Fest and Burning Man; art biennales in Denver, Colorado and Gwangju, South Korea; and solo exhibitions across the United States and in Mexico, Portugal and England.

Jen Lewin Studio was excited to exhibit The Pool at MidTown Crossing in Omaha, Nebraska. Created in 2008 by American contemporary installation artist Jen Lewin, The Pool is large-scale, interactive landscape built out of concentric rings of illuminated platforms.

With over fifty installations worldwide, The Pool is one of the most prolific traveling sculptures in the world. Using custom, in-house technology, The Pool activates every installation location, bringing joy and a unique, interactive experience to each participant.

Created in 2012 by American contemporary installation artist, Jen Lewin, Chandelier Harp returned to the Cherry Creek Arts Festival during the Summer of 2016.

Chandelier Harp is an interactive instrument played by passing your body through the low voltage lasers that shine from the Chandelier Harp to the ground. Much like plucking the string of a harp, passing through the beams triggers custom circuitry and sensors to produce musical notes. Users play to create an ambiance that is individual to the moment of interaction. When crowds flock to it and people start to play independently, the group’s chaotic activity give the piece life, as if everyone is, unknowingly, participating in a musical symphony. Each ‘string’ will mix its own library of sounds to create a depth and tone that compliments the public activity and random or organized play.

One of American contemporary installation artist Jen Lewin’s original interactive sculptures, The Pool came to Descanso Gardens for their inaugural Enchanted Forest of Light exhibition. The Pool possesses the unique ability to compliment public interaction with the exhibition through washes of vibrant color that follow users as they move amongst and on the illuminated platforms.

Jen Lewin combines her studies in engineering, computer programming, dance, music and film to create public artworks that engage the body and the senses. Her works have been featured at a variety of events, including the Istanbul Light Festival, Vivid Sydney 2014 and 2018, iLight Marina Bay, Signal Fest and Burning Man; art biennales in Denver, Colorado and Gwangju, South Korea; and solo exhibitions across the United States and in Mexico, Portugal and England.

During the Spring of 2017, Jen Lewin Studio collaborated with the Hong Kong Arts Festival to bring The Pool and Super Pool to 4 separate installations throughout Hong Kong over the course of 6 weeks. The Super Pool increases the diameter of The Pool and doubles the number of platforms in the sculpture, enhancing the number of participants that can join in the fun at any one time.

The sculptures invite each individual to move around, among, and on the platforms, watching as their interactions create washes of vibrant color through the sculpture. Like all of Lewin’s work, each allows for an unprecedented level of interactivity, transforming the way we interact with Art and each other, bringing everyone together in the Art of Play.

Jen Lewin Studio was excited to exhibit the first edition of Reflect at Light City Baltimore. Created by American contemporary installation artist Jen Lewin, Reflect is large-scale, interactive landscape built out of concentric rings of illuminated platforms that each possess an acrylic reflective film top. During the day, Reflect’s surface mirrors the sky, audience, and surrounding environment. At night, the sculpture engages visitors as they walk along its surface watching as their actions create swirling eddies of light. Like all of Lewin’s work, Reflect allows for an unprecedented level of interactivity, transforming the way we interact with Art and each other, bringing everyone together in the Art of Play.

Jen Lewin Studio was excited to team up with Green Spaces to exhibit The Pool at several different locations throughout the beautiful city of Chattanooga. Created in 2008 by American contemporary installation artist Jen Lewin, The Pool is large-scale, interactive landscape built out of concentric rings of illuminated platforms.

With over fifty installations worldwide, The Pool is one of the most prolific traveling sculptures in the world. Using custom, in-house technology, The Pool activates every installation location, bringing joy and a unique, interactive experience to each participant.

Created in 2008, The Pool was installed next to the Jaffa Gate at the Jerusalem Light Festival during the Summer of 2017. A large-scale, interactive landscape built out of concentric rings of illuminated platforms it is one of the most prolific traveling sculptures in the world.

The sculpture invites each individual to move around, among, and on the platforms, watching as their interactions create washes of vibrant color through the sculpture. Like all of Lewin’s work, The Pool allows for an unprecedented level of interactivity, transforming the way we interact with Art and each other, bringing everyone together in the Art of Play.

Jen Lewin’s site-specific, interactive sculpture Aqueous made its debut at the 2017 Burning Man. Created during the Summer of 2017, Aqueous invites all participants to move on, among, and around the sculpture, engaging in the Art of Play. To date, this remains the largest installation of the sculpture at over 10,000 sqft.

Derived from the Golden Ratio, each platform in Aqueous is created from a custom, rotationally molded form. During the day, Aqueous’ surface reflects the sky, audience, and surrounding environment. At night, Aqueous engages visitors as they walk along its surface watching as their actions create swirling eddies of light.

Jen Lewin Studio was excited to exhibit The Pool at the beautiful Jing An Kerry Center for the JKC Summer Program during the Summer of 2017. Created in 2008 by American contemporary installation artist Jen Lewin, The Pool is large-scale, interactive landscape built out of concentric rings of illuminated platforms.

With over fifty installations worldwide, The Pool is one of the most prolific traveling sculptures in the world. Using custom, in-house technology, The Pool activates every installation location, bringing joy and a unique, interactive experience to each participant.

Created in 2017, Jen Lewin’s unique, interactive sculpture Aqueous installed at the World’s Fair Nano. Like all of Lewin’s work the sculpture brings an unprecedented level of interactivity, transforming the way we interact with Art and each other.

Each installation of Aqueous is entirely site specific, allowing for completely unique installations anywhere in the world. Composed of hundreds of interactive, stand alone, modular platforms derived directly from the Golden Ratio, Aqueous grows to create a landscape of flowing modular light, controlled not from a single computer, router, or graphic system, but instead from the raw code that can process human interaction on each of Aqueous’s many independent yet connected platforms.

One of contemporary American installation artist Jen Lewin’s original large-scale interactive sculptures, The Pool exhibited at BLINK Cincinnati during the Fall of 2017. The Pool possesses the unique ability to compliment public interaction with the exhibition through washes of vibrant color that follow users as they move amongst and on the illuminated platforms.

Jen Lewin combines her studies in engineering, computer programming, dance, music and film to create public artworks that engage the body and the senses. Her works have been featured at a variety of events, including the Istanbul Light Festival, Vivid Sydney 2014 and 2018, iLight Marina Bay, Signal Fest and Burning Man; art biennales in Denver, Colorado and Gwangju, South Korea; and solo exhibitions across the United States and in Mexico, Portugal and England.

Created in 2008, The Pool was installed at Taikoo SanLitun in Beijing, China for a 4 week exhibition of Light’s Play during the Fall of 2017. A large-scale, interactive landscape built out of concentric rings of illuminated platforms it is one of the most prolific traveling sculptures in the world.

The sculpture invites each individual to move around, among, and on the platforms, watching as their interactions create washes of vibrant color through the sculpture. Like all of Lewin’s work, The Pool allows for an unprecedented level of interactivity, transforming the way we interact with Art and each other, bringing everyone together in the Art of Play.

Aqueous, an interactive light installation, installed at Descanso Garden’s Enchanted Forest of Light during the Winter of 2017. During the day, Aqueous’s surface reflects the sky, audience, and surrounding environment. At night, Aqueous engages visitors as they walk along its surface — lighting up as they step, move around, and along the pathway.

Jen Lewin combines her studies in engineering, computer programming, dance, music, and film to create public artworks that engage the body and the senses. Her works have been featured at a variety of events, including the Istanbul Light Festival, Vivid Sydney 2014 and 2018, iLight Marina Bay, Signal Fest and Burning Man; art biennales in Denver, Colorado and Gwangju, South Korea; and solo exhibitions across the United States and in Mexico, Portugal and England.

One of contemporary American installation artist Jen Lewin’s original large-scale interactive sculptures, The Pool joined Visual Arts Week at the Bellas Artes during the Fall of 2017. The Pool possesses the unique ability to compliment public interaction with the exhibition through washes of vibrant color that follow users as they move amongst and on the illuminated platforms.

Jen Lewin combines her studies in engineering, computer programming, dance, music and film to create public artworks that engage the body and the senses. Her works have been featured at a variety of events, including the Istanbul Light Festival, Vivid Sydney 2014 and 2018, iLight Marina Bay, Signal Fest and Burning Man; art biennales in Denver, Colorado and Gwangju, South Korea; and solo exhibitions across the United States and in Mexico, Portugal and England.

Jen Lewin’s site-specific, interactive sculpture Aqueous made its first visit to Georgetown GLOW. Created in 2017, Aqueous invites all participants to move on, among, and around the sculpture, engaging in the Art of Play.

Derived from the Golden Ratio, each platform in Aqueous is created from a custom, rotationally molded form. During the day, Aqueous’ surface reflects the sky, audience, and surrounding environment. At night, Aqueous will engages visitors as they walk along its surface watching as their actions create swirling eddies of light.

Jen Lewin’s site-specific, interactive sculpture Aqueous returned to Descanso Gardens’s Enchanted Forest of Light exhibition during the Winter of 2018. Created in 2017, Aqueous invites all participants to move on, among, and around the sculpture, engaging in the Art of Play.

Derived from the Golden Ratio, each platform in Aqueous is created from a custom, rotationally molded form. During the day, Aqueous’ surface reflects the sky, audience and surrounding environment. At night, Aqueous engages visitors as they walk along its surface watching as their actions create swirling eddies of light.

One of contemporary American installation artist Jen Lewin’s original large-scale interactive sculptures, The Pool exhibited at Light Yards in Washington DC during the Winter of 2018.

Jen Lewin combines her studies in engineering, computer programming, dance, music and film to create public artworks that engage the body and the senses. Her works have been featured at a variety of events, including the Istanbul Light Festival, Vivid Sydney 2014 and 2018, iLight Marina Bay, Signal Fest and Burning Man; art biennales in Denver, Colorado and Gwangju, South Korea; and solo exhibitions across the United States and in Mexico, Portugal and England.

One of contemporary American installation artist Jen Lewin’s original large-scale interactive sculptures, The Pool exhibited at the Banqiao Station in Taipei during the Winter of 2018. This marks the first installation of The Pool in Taiwan.

Jen Lewin combines her studies in engineering, computer programming, dance, music and film to create public artworks that engage the body and the senses. Her works have been featured at a variety of events, including the Istanbul Light Festival, Vivid Sydney 2014 and 2018, iLight Marina Bay, Signal Fest and Burning Man; art biennales in Denver, Colorado and Gwangju, South Korea; and solo exhibitions across the United States and in Mexico, Portugal and England.

Created in 2017, Jen Lewin’s unique, interactive sculpture Aqueous installed at the Bahrain Light Festival during the Winter of 2018. This was the second time a sculpture created by Jen Lewin was invited to participate in this exhibition. Like all of Lewin’s work Aqueous brings an unprecedented level of interactivity, transforming the way we interact with Art and each other.

Each installation of Aqueous is entirely site specific, allowing for completely unique installations anywhere in the world. Composed of hundreds of interactive, stand alone, modular platforms derived directly from the Golden Ratio, Aqueous grows to create a landscape of flowing modular light, controlled not from a single computer, router, or graphic system, but instead from the raw code that can process human interaction on each of Aqueous’s many independent yet connected platforms.

Aqueous, an interactive light installation, installed at the T-Mobile Arena for a single night exhibition during the Fall of 2018. During the day, Aqueous’s surface reflects the sky, audience, and surrounding environment. At night, Aqueous engages visitors as they walk along its surface — lighting up as they step, move around, and along the pathway.

Jen Lewin combines her studies in engineering, computer programming, dance, music and film to create public artworks that engage the body and the senses. Her works have been featured at a variety of events, including the Istanbul Light Festival, Vivid Sydney 2014 and 2018, iLight Marina Bay, Signal Fest and Burning Man; art biennales in Denver, Colorado and Gwangju, South Korea; and solo exhibitions across the United States and in Mexico, Portugal and England.

Jen Lewin’s site-specific, interactive sculpture Aqueous made its first visit to the island of Oahu, Hawaii for an exhibition at Kapolei Commons during the Winter of 2018. Created in 2017, Aqueous invites all participants to move on, among, and around the sculpture, engaging in the Art of Play.

Derived from the Golden Ratio, each platform in Aqueous is created from a custom, rotationally molded form. During the day, Aqueous’ surface reflects the sky, audience, and surrounding environment. At night, Aqueous engages visitors as they walk along its surface watching as their actions create swirling eddies of light.

Jen Lewin’s site-specific, interactive sculpture Aqueous made its first visit to VIVID Sydney in Sydney, Australia during the Spring of 2018. Created in 2017, Aqueous invites all participants to move on, among, and around the sculpture, engaging in the Art of Play.

Derived from the Golden Ratio, each platform in Aqueous is created from a custom, rotationally molded form. During the day, Aqueous’ surface reflects the sky, audience, and surrounding environment. At night, Aqueous engages visitors as they walk along its surface watching as their actions create swirling eddies of light.

Jen Lewin’s site-specific, interactive sculpture Aqueous joined reCODE in Los Angeles during the Spring of 2018. Created in 2017, Aqueous invites all participants to move on, among, and around the sculpture, engaging in the Art of Play.

Derived from the Golden Ratio, each platform in Aqueous is created from a custom, rotationally molded form. During the day, Aqueous’ surface reflects the sky, audience, and surrounding environment. At night, Aqueous engages visitors as they walk along its surface watching as their actions create swirling eddies of light.

Jen Lewin Studio was excited to exhibit The Pool at Klanglicht, in beautiful Graz, Austria. Created in 2008 by contemporary American installation artist Jen Lewin, The Pool is large-scale, interactive landscape built out of concentric rings of illuminated platforms.

With over fifty installations worldwide, The Pool is one of the most prolific traveling sculptures in the world. Using custom, in-house technology, The Pool activates every installation location, bringing joy and a unique, interactive experience to each participant.

Created in 2017, Jen Lewin’s unique, interactive sculpture Aqueous installed in Atlanta’s Museum of Design during the Spring of 2018. Like all of Lewin’s work the sculpture brings an unprecedented level of interactivity, transforming the way we interact with Art and each other.

Each installation of Aqueous is entirely site specific, allowing for completely unique installations anywhere in the world. Composed of hundreds of interactive, stand alone, modular platforms derived directly from the Golden Ratio, Aqueous grows to create a landscape of flowing modular light, controlled not from a single computer, router, or graphic system, but instead from the raw code that can process human interaction on each of Aqueous’s many independent yet connected platforms.

Jen Lewin Studio was excited to exhibit The Pool at the beautiful Stavros Niarchos Foundation Cultural Center during the Winter of 2019, marking the first time the sculpture had traveled to Greece. Created in 2008 by contemporary American installation artist Jen Lewin, The Pool is large-scale, interactive landscape built out of concentric rings of illuminated platforms.

With over fifty installations worldwide, The Pool is one of the most prolific traveling sculptures in the world. Using custom, inhouse technology, the sculpture activates every installation location, bringing joy and a unique, interactive experience to each participant.

Created in 2017, Jen Lewin’s unique, interactive sculpture Aqueous installed at Luminaria during the Winter of 2019-2020. Like all of Lewin’s work the sculpture brings an unprecedented level of interactivity, transforming the way we interact with Art and each other.

Each installation of Aqueous is entirely site specific, allowing for completely unique installations anywhere in the world. Composed of hundreds of interactive, stand alone, modular platforms derived directly from the Golden Ratio, Aqueous grows to create a landscape of flowing modular light, controlled not from a single computer, router, or graphic system, but instead from the raw code that can process human interaction on each of Aqueous’s many independent yet connected platforms.

Jen Lewin Studio was excited to exhibit The Pool at the beautiful Franklin Park Conservatory in Columbus Ohio. Created in 2008 by contemporary American installation artist Jen Lewin, The Pool is large-scale, interactive landscape built out of concentric rings of illuminated platforms.

The sculpture invites each individual to move around, among, and on the platforms, watching as their interactions create washes of vibrant color through the sculpture. Like all of Lewin’s work, The Pool allows for an unprecedented level of interactivity, transforming the way we interact with art and each other, bringing everyone together in the Art of Play.

Jen Lewin’s site-specific, interactive sculpture Aqueous made its third visit to Descanso Gardens’s exhibit, Enchanted Forest of Light. Created in 2017, Aqueous invites all participants to move on, among and around the sculpture, engaging in the Art of Play.

Derived from the Golden Ratio, each platform in Aqueous is created from a custom, rotationally molded form. During the day, Aqueous’ surface reflects the sky, audience and surrounding environment. At night, Aqueous will engages visitors as they walk along its surface watching as their actions create swirling eddies of light.

Aqueous, an interactive light installation, installed in Huntsville’s Big Spring Park during the Fall of 2019. During the day, Aqueous’s surface reflects the sky, audience, and surrounding environment. At night, Aqueous engages visitors as they walk along its surface — lighting up as they step, move around, and along the pathway.

Jen Lewin combines her studies in engineering, computer programming, dance, music and film to create public artworks that engage the body and the senses. Her works have been featured at a variety of events, including the Istanbul Light Festival, Vivid Sydney 2014 and 2018, iLight Marina Bay, Signal Fest and Burning Man; art biennales in Denver, Colorado and Gwangju, South Korea; and solo exhibitions across the United States and in Mexico, Portugal and England.

Created in 2017, Jen Lewin’s unique, interactive sculpture Aqueous installed at the Momentum Festival in Toledo, Ohio during the Fall of 2019. Like all of Lewin’s work the sculpture brings an unprecedented level of interactivity, transforming the way we interact with Art and each other.

Each installation of Aqueous is entirely site specific, allowing for completely unique installations anywhere in the world. Composed of hundreds of interactive, stand alone, modular platforms derived directly from the Golden Ratio, Aqueous grows to create a landscape of flowing modular light, controlled not from a single computer, router, or graphic system, but instead from the raw code that can process human interaction on each of Aqueous’s many independent yet connected platforms.

Created in 2012 by contemporary American installation Artist, Jen Lewin, Chandelier Harp installed at the Detroit Symphony Orchestra’s Sosnick Courtyard during the summer of 2019.

Chandelier Harp is an interactive instrument played by passing your body through the low voltage lasers that shine from the Chandelier Harp to the ground. Much like plucking the string of a harp, passing through the beams triggers custom circuitry and sensors to produce musical notes. Users play to create an ambiance that is individual to the moment of interaction.

During the Summer of 2019, contemporary American installation artist Jen Lewin introduced both of her sculptures, Aqueous and Chandelier Harp at Converge in Brooklyn, NY. Each sculpture invites the user to interact with the piece and other users around them, inviting everyone to join in the Art of Play.

Jen Lewin combines her studies in engineering, computer programming, dance, music and film to create public artworks that engage the body and the senses. Her works have been featured at a variety of events, including the Istanbul Light Festival, Vivid Sydney 2014 and 2018, iLight Marina Bay, Signal Fest and Burning Man; art biennales in Denver, Colorado and Gwangju, South Korea; and solo exhibitions across the United States and in Mexico, Portugal and England. Lewin has also designed and installed permanent public interactive sculptures worldwide, including the Sidewalk Harp in Minneapolis; Magical Harp in Palo Alto, Calif.; Promenade in Denver, Colo.; and Ascent in Coral Springs, Fla.

Created in 2012 by contemporary American installation Artist, Jen Lewin, Chandelier Harp installed at the World Economic Forum in Davos, Switzerland during the Winter of 2018.

Chandelier Harp is an interactive instrument played by passing your body through the low voltage lasers that shine from the Chandelier Harp to the ground. Much like plucking the string of a harp, passing through the beams triggers custom circuitry and sensors to produce musical notes. Users play to create an ambiance that is individual to the moment of interaction. When crowds flock to it and people start to play independently, the group’s chaotic activity give the piece life, as if everyone is, unknowingly, participating in a musical symphony. Each ‘string’ will mix its own library of sounds to create a depth and tone that compliments the public activity and random or organized play.

Created in 2008, The Pool was installed at Westquay, Southampton in February of 2020. A large-scale, interactive landscape built out of concentric rings of illuminated platforms it is one of the most prolific traveling sculptures in the world.

The sculpture invites each individual to move around, among, and on the platforms, watching as their interactions create washes of vibrant color through the sculpture. Like all of Lewin’s work, The Pool allows for an unprecedented level of interactivity, transforming the way we interact with art and each other, bringing everyone together in the Art of Play.

THE LAST OCEAN, created by American contemporary artist, Jen Lewin, explores the crisis of plastic pollution in our oceans, a warming planet, dwindling natural resources, and the need for aggressive systemic change. How do we address and mitigate the issues our planet faces as a global community?

Lewin’s previous work combines the beauty of the natural world alongside the transformative possibilities of human interactivity and the power of technology, creating community through connection. The Last Ocean aims to expand on this body of work, encapsulating the expansive uniqueness of our oceans, and the fragility of these immense bodies of water. Composed of over 300 interactive platforms and created from reclaimed and recycled ocean plastic, The Last Ocean is an immersive experience created using Lewin’s unique in-house mesh network LED technology.

During the day, the platforms of The Last Ocean will highlight the transformation of reclaimed ocean plastic with a swirled surface of blue and white particulate.

At night, The Last Ocean will glow with vibrant animated light, cycling through a diverse palette of carefully curated colors as visitors interact with the work. Participants will splash and dance in waves of light, illuminating the organic and powerful nature of our oceans.

Each installation of The Last Ocean will be unique, with site specific installations slowly dissipating as the piece is exhibited, conveying the idea of this fragile ecosystem deteriorating over time.

The Last Ocean will premiere at Burning Man 2022, as part of the Burning Man Honoraria

Launched in 2020 during the pandemic, the award-winning Lights on Stratford annual winter festival will once again transform Stratford’s heritage downtown core and park system with luminous art and interactive light installations.

The Lights on Stratford 2022/23 theme is REKINDLE – “relight (a fire) or revive (something that has been lost).” As we emerge from another year of having to stay home, missing our friends, family and favourite places, the importance of rekindling a sense of joy, wonder and community has never been greater.

Market Square will be brought to life with internationally renowned artist Jen Lewin’s The Pool – a giant field of concentric circles that swirl with light when activated by touch. Inspired by Australian tidal pools, Lewin developed mesh network technology and code to bring this experience around the world. Visitors can activate any of the 100 large circular pads that respond to walking, dancing, jumping, or playing – encouraging participation in ever-changing composition.

Illuminate Adelaide’s free, city-wide centrepiece returns with a new series of immersive installations, artworks and large-scale activations set to turn Adelaide’s most iconic streetscapes into a night-time playground of colour and sound.

The Pool and Chandelier Harp will be joining the roster of boundary-pushing local and international artists to reimagine the laneways, street-fronts and open spaces through the three key North, East and West precincts.

Bringing together highly mathematical principles of music theory, Jen Lewin’s Chandelier Harp invites visitors to create literal music through the movements of their body. Visit Chandelier Harp at Queens Theatre, Playhouse Ln & Gilles Arcade. By dancing beneath the harp’s unique series of laser sensors, participants can work collaboratively to play this interactive instrument fit with retro synthesizers to generate truly harmonious melodies.

Merging the movements of individuals to create an overlapping and everchanging collage of light, The Pool is a giant field of concentric circles that swirl with colour when activated by touch. Inspired by Australian tidal rock pools, The Pool uses cutting edge mesh-network technology and custom code to bring this vivid and ever-changing composition to life. Visit The Pool on the North Terrace of the South Australian Museum.

Free for all ages and running nightly from 6pm to 11pm.

Existing at the intersection of art and technology, The Aurora is a 29-foot-tall, 720-pound experiential sculpture in which both human interaction and weather patterns create swirling displays of color and light. The title references the Aurora Borealis, or Northern Lights—naturally occurring light phenomena visible in the northern sky during the fall and winter months. Inspired by the beauty and complexity of these organic light forms, Jen Lewin programmed The Aurora to change color based on the live weather in Minneapolis. Below the sculpture, eight interactive platforms respond to touch, encouraging visitors to actively participate in an ever-changing composition. Uniting nature, humanity, and technology, Lewin’s work underscores the dynamic interplay between people and the environment.

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Flow is the first work that combines Lewin’s Flux and Magical Harp series, integrating light and sound components into a single sculpture designed for the ‘Iolani School. Composed of twenty-four interactive light tubes, this interactive instrument swirls with light and plays ethereal musical tones when participants move beneath its laser sensors. Triggering a certain tube changes the overall color palette and tonal range of the sculpture, adding elements of surprise and discovery to the artwork.

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The Magical Bridge Playground is a world-renowned concept developed first in Palo Alto. Designed to be socially inclusive for children and adults of varying physical and cognitive abilities, Magical Bridge Redwood City aims to go beyond typical playground designs, which often inadvertently overlook the growing autistic population, cognitively challenged, visually and hearing impaired, physically limited and the aging population. The Magical Bridge Foundation will collaborate with Redwood City on its second location due to its progressive parks and recreation program, financial generosity, and diverse community.

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This inclusive playground was created as part of a wish from Ashaun, a 7-year-old Aurora resident who lives near Red-tailed Hawk Park. The Make-a-Wish Foundation contacted city of Aurora staff in the fall of 2017 explaining that this young man and his family would love to see a fully-accessible playground at the park because his favorite thing to do is to be with other kids who are laughing and playing.
Red-tailed Park, in Aurora Colorado.

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The Ballston Chandelier is a 40 feet tall interactive permanent work in Ballston Quarter. The work reflects pedestrian activity by animating and softly changing as participants or passersby move through its space.

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The Tulsa Cloud at Gathering Place consists of six glass orbs made of welded metal rings with thousands of interactive LEDs attached. Built using over 2,100 custom glass bulbs with hand-embedded RGB pixel LEDs and heat-sensing technology, it twinkles and shifts as participants move underneath it. The bulbs take the shape of Thomas Edison’s incandescent light bulb, which went out of production in the USA in 2012. Bringing together an old-fashioned aesthetic with high-tech electronics, it creates an interactive experience where people can control the shapes seen in the clouds with their movements.

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The Jeju Pool is a light-based permanent installation on Jeju Island, South Korea. The Jeju Pool is an inherently interactive series of networked platforms that form a community within the sculpture itself. Integrated seamlessly into the landscape, during the day the work will reflect the environment in shifting colors and at night will come alive as visitors movement and actions direct the art piece with full LED color interactivity.

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Promenade is a permanent, light-based installation for The Dairy Block Art Collection in Denver, Colorado. Promenade is an inherently interactive series of networked platforms that form a community within the sculpture itself. Integrated seamlessly into the Alley, during the day Promenade will reflect the environment in shifting colors and at night will come alive as visitors movement and actions direct the with full LED color interactivity.

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Ascent is a permanent, interactive light-based sculpture commissioned by The City of Coral Springs, and located in the Coral Spring Art Walk.

Ascent is derived from several mathematical and geometric principles creating nested, interactive platforms. During the day, its surface, shifting in color based on the viewer’s point of view, will softly reflect the environment. At night, user movement through the sculpture will be transformed into full glowing interactive light.

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Flux Chandelier is a custom, interactive, mesh network sculpture permanently installed at The University of Akron.

The sculpture is a series of four chandeliers throughout Zook Hall as part of the Ohio Arts Council’s Ohio’s Percent for Art program. The sculptures sense the height and movement of people as they pass underneath, which is reflected in the movement, patterns, and colors of the lighting throughout all four installations.

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The Sidewalk Harp is played by passing your body through the 36 sensors capped with LEDs along the bottom of the 40-foot long stainless steel form. Much like plucking the string of a harp, passing through the sensors triggers custom circuitry and sensors to produce musical notes and LED colors. As the community gathers and plays together, they create a symphony of color that washes over the urban landscape. This act of engagement with others is just as much part of the art as the sculpture is itself.

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Magical Bridge Playground in Morgan Hill’s Community Park is free and open to the public from sunrise to sunset, seven days a week. With thousands of guests visiting our all-inclusive playground. Located in the playgrounds Music Zone. The brain processes music in a different area than speech and language, therefore, for those who have difficulty communicating verbally, music provides a way to express themselves in a non-verbal manner. When one moves through the harp, musical notes play as the invisible laser beams are broken, allowing people of all abilities to play together.

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The Ceiling Element by Jen Lewin was designed as both a light fixture and a mood generator. Videos, shapes, and colors project across the 40 foot long bar of “Session Kitchen” in Denver Colorado.  The colors, speed and projection are controlled by a custom tablet app giving the ability to manage the piece based on the time of day and vibe of the crowd.

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The Futo Chandelier is a private lighting commission for the Futo Winery. Handmade by Lewin in her  Boulder, Colorado studio, the lamp casts a unique light pattern from the LEDs installed in each glass bulb, transforming surrounding space.

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Paint Torch is a permanent outdoor sculpture by Claes Oldenburg. In 2010, Oldenburg and I met to discuss ways to elegantly incorporate technology and illumination within his proposed piece The Paint Torch. He had been inspired by some of my artwork, in particular, several illuminated pieces I created with Kreysler and Associates. We began working together almost immediately, spending over 12 months developing the subtle, yet elegant internal ‘glow’ you now see within the piece

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The Water Tree is a collaboration between Denver-based artist Lawrence Argent and Jen Lewin. Lawrence Argent approached Lewin in the fall of 2009 after seeing her interactive light sculpture The Pool. This conversation evolved into a collaboration to build The Water Tree, a dynamic fluid glowing form created from 52 fiberglass, wireless, LED bubbles.

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Moths are three soft interactive robotic forms that are charged to movement by human connection. Moths are a participatory art piece; only by stopping and connecting physically do they come to life. The longer one stays, the longer the moth will continue to move even when the viewer leaves. Moths speak to light, to community, to gathering, and have an open ethereal dream like quality that will gracefully dance and glow in space.

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Having spent time in Western Australia, the inspiration for Euclid comes from the mesmerizing reflections of Australian tidal pools. Euclid presents an expansive landscape of mirrored glass platforms that reflects the sky by day and transforms with the setting sun into a fully interactive work that illuminates the paths of people walking across its surface. A highly-customized computer control system created from Lewin’s custom components triggers more than 20,000 interactive light-emitting diodes (LEDs) into an elaborate and engaging light show. Lewin’s Euclid is displayed on the ground level of The SoNo Collection’s Southwest Plaza Entrance.

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The Brookfield Cloud is comprised of eight glass orbs made of welded metal rings with thousands of interactive LEDs attached. Using custom code written by the artist and heat-mapping technology, these clusters are programmed to reflect people moving below—glowing white, blue and purple. Featuring old-fashioned, handmade elements with complex interactive systems, this sculpture creates an interactive experience where people can control the forms seen in the clouds with their movements.

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Jen Lewin acted as part owner and was the original designer and architect of The Kitchen Boulder, The Upstairs, The Next Door (Boulder) and The Kitchen Denver. Working directly with partners Kimbal Musk and Hugo Matheson, Lewin helped to create what became the unique “Kitchen Style“. Like all of Lewin’s work, The Kitchen restaurants were designed to facilitate community, with a large community tables as the heart for each space.

Lewin also hand made much of the restaurants original decor, including all of the custom lighting.

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Jen Lewin acted as part owner and was the original designer and architect of The Kitchen Boulder, The Upstairs, The Next Door (Boulder) and The Kitchen Denver. Working directly with partners Kimbal Musk and Hugo Matheson, Lewin helped to create what became the unique “Kitchen Style“. Like all of Lewin’s work, The Kitchen restaurants were designed to facilitate community, with a large community tables as the heart for each space.

Lewin also hand made much of the restaurants original decor, including all of the custom lighting.

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Phronesis is a dynamic illuminated site-specific sculpture created for the Cincinnati Public Library. In this work, Jen Lewin looks both into the past and the future. Inspired by the research of Dr. Stephen Bertman, a professor of Languages, Literature, and Cultures at the University of Windsor in Canada, Lewin crafted eight large illuminated sculptures, each representing a guiding principle of ancient Greek wisdom: Humanism, The Pursuit of Excellence, The Practice of Moderation, Self-Knowledge, Rationalism, Restless Curiosity, The Love of Freedom, and Individualism. These principles and their ancient roots remind us of the vast breadth of human knowledge, curiosity, and history, much of which is preserved and shared through the Library.

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Myco is an interactive collection of mushroom drums inspired by the interconnected communication of fungi. Installed in Downtown Doral, Florida, the work transforms the park into an illuminated, percussive landscape that explores the symbiotic relationships within fungal networks.

Created from recycled and upcycled plastic sourced from Jen Lewin’s 2008 installation Pool, each Myco cap lights up and resonates in harmony when touched. The sculpture invites participants to play collaboratively, reflecting the organic exchange and interdependence found in nature’s mycorrhizal systems.

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Boundless was commissioned as a permanent piece to commemorate the Rotary’s 100-year anniversary. This captivating, interactive artwork engages audiences of all ages. Boundless merges technology and artistic brilliance, consisting of two distinct components: a towering glass and aluminum standing gear and a lower glass and steel in-ground gear. These elements encourage viewers to engage in playful reflection and interaction while honoring the Rotary’s longstanding commitment to public and civic service.

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Based on the dimensions of the golden ratio, Jen Lewin developed HELIX, a series of twenty-four spires laid out in the form of a nautilus shell, twisting upward. When you interact with this work, it creates an immersive environment that almost seems to envelop you in flames of rainbow light. We see the golden ratio all around us in nature—from the nautilus shell, to the petals of a lily, spiral galaxies, hurricane patterns, and even the ratios of human faces. Artists have used this mathematical principle throughout art history, and its proportions were mathematically approximated by the Italian mathematician known as Fibonacci. Lewin is interested in this form because it demonstrates how math prevails throughout the natural and built worlds, and how we as humans are drawn to the beauty found within our environments, and ourselves.

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In music and dance, “andante” refers to a slow tempo, or gradual, fluid motions. Bringing together highly mathematical principles of music theory, the tones are based loosely on a pentatonic scale, which is often found in traditional Chinese music and sounds as if it shifts fluidly between major and minor tonalities. Multiple layers of sound allow for both range and depth depending on the speed with which you move beneath each sensor. This scale seems to ebb and flow like the shape of ANDANTE or the leap of a dancer—connecting your motions to your auditory, tactile, and visual senses. Similarly, the shape of the sculpture is derived from a musical staff in which each light tube becomes a bar of music.

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The Magical Bridge Playground is a world-renowned concept developed first in Palo Alto. The City of Santa Clara and Magical Bridge Foundation welcome you to visit the 9th Magical Bridge Playground. Come slide, spin, swing, and play on this new public playground designed for all ages and abilities. Located at the parks Innovation Zone the Magical harps consists of a 24-string Laser Harp. The tones are tuned to a pentatonic scale which is soothing and creates a calm beautiful symphony of sounds no matter which notes are played.

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Cyclicality is an interactive light sculpture composed of 11 illuminated, reflective crystal forms inspired by the natural beauty of Sioux Quartzite. Created as a site-specific artwork by Jen Lewin, the piece invites viewers to explore the flow of color and light through touch and proximity.

Three interactive pedestals allow participants to transform the installation—shifting color palettes, the animation speed, and the rhythm of light. Drawing from the ever-changing landscape of Sioux Falls, Cyclicality reflects the region’s geologic story of erosion, transformation, renewal, and enduring natural wonder.

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