Spring 2021 (Minneapolis – St Paul Airport, Terminal 1) — The Aurora, Jen Lewin’s newest work, will be a permanent interactive sculpture, spanning two stories, hanging within a new floor opening between Arrivals and Departures in the renovated Minneapolis Saint Paul International Airport Terminal 1. This piece was commissioned by [email protected] and Lewin gathered feedback from Minnesotans to develop the custom concept, which is reflected through the design of the interactive glass lakes on the ground loosely derived from local, public lakes in the Minneapolis – St. Paul region.  The color palette of the sculpture will also vary by season and respond to local weather conditions so the work feels like it is fluidly part of the real-time Minnesota landscape.    
The sculpture is a hovering wisp of glass and metal that will include over 10,000 fully interactive RGB LEDS, integrated into 3,000 vintage glass bulbs, with interactive walkable lakes on the ground. As The Aurora floats above the floor, movement below and on the lake floor will be sensed and translated into graceful swooshes of light and color across the piece. This work is created in a similar method to Lewin’s existing work The Edison Cloud, Edison Orbs, and Tulsa Cloud, however each bulb in The Aurora will have more than one LED. This clustering of LEDs within each glass bulb created the illusion of infinite depth within each twinkling bulb.
Lewin’s team will be installing the sculpture in Minnesota through the Fall of 2020. For more information, contact [email protected]
Watch coverage of The Aurora being installed here: Fox 9 Evening News Segment and Star Tribune Video
 
[email protected]
306 Water Street,
Brooklyn NY 11201  
Lewin’s technologically mediated artwork is not only visually and sonically engaging, but also connects the viewer to a dynamic embodied experience,”  Lisa Becker, art curator.
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“The Pool” by American artist Jen Lewin – literally invites the audience to touch the art. And not just to touch it, but stand on it, dance and jump on it. It is a very different experience from being in a museum, and both young and old will be enchanted by the light works,” Burcu Aldinç, editor, Daily Sabah.
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“From interactive sound and light sculptures that inspire people into play, to woven fiber video curtains that reflect movement, or giant, robotic, ethereal moths that dance based on human touch. Lewin’s ability to utilize technology as a medium is rare and unprecedented. She brings an organic, feminine quality to her electronic work that leaves viewers enchanted and surprised,” Lauren Mosenthal, interviewer, Inspiring People in Creative Spaces.
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Delighted people worldwide step, hop, and skip into a seemingly simply but technologically complex environment where they can individually or collectively create dazzling, luminous patterns. Light is enlisted and directed through chance choreography. One form of energy—human movement—is transformed into another. The pooling of spontaneous collaborative effort create infinite variations on a theme. Lewin’s work has been wildly successful beyond the site-specific conditions and demographics of the playa at Burning Man,” Peter Bejger, editor, The Burning Man Journal
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“Lewin’s thoughtful vision intersects with a new demand for public art – to be modern and engaging – and she has seized on the moment,” Diane Seo, contributor,  Ku’u Punahou.
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© Copyright Jen Lewin Studio, all rights reserved.    

© Copyright Jen Lewin Studio, all rights reserved.