One of American contemporary installation artist Jen Lewin’s original interactive sculptures, The Pool joined Canary Wharf’s Winter Lights. The Pool possesses the unique ability to compliment public interaction with the exhibition through washes of vibrant color that follow users as they move amongst and on the illuminated platforms.

Jen Lewin combines her studies in engineering, computer programming, dance, music and film to create public artworks that engage the body and the senses. Her works have been featured at a variety of events, including the Istanbul Light Festival, Vivid Sydney 2014 and 2018, iLight Marina Bay, Signal Fest and Burning Man; art biennales in Denver, Colorado and Gwangju, South Korea; and solo exhibitions across the United States and in Mexico, Portugal and England.

Jen Lewin Studio was excited to exhibit The Pool in Aberdeen, Scotland for SPECTRA. Created in 2008 by American contemporary installation artist Jen Lewin, The Pool is large-scale, interactive landscape built out of concentric rings of illuminated platforms.

With over fifty installations worldwide, The Pool is one of the most prolific traveling sculptures in the world. Using custom, in-house technology, The Pool activates every installation location, bringing joy and a unique, interactive experience to each participant.

The 2016 edition of iLight Marina Bay saw the debut of Jen Lewin’s interactive sculpture Light Walk.

Light Walk is a large-scale interactive sound and light installation composed of portable interactive modules attached to existing infrastructure. By placing these modules throughout a site, Lewin creates a temporary, yet giant and fully immersive art experience. As participants move, dance and walk through Light Walk, they will trigger sound and light. As crowds flock to Light Walk, the group’s chaotic activity will create new life, as if everyone is unknowingly participating in a musical symphony.

One of American contemporary installation artist Jen Lewin’s original interactive sculptures, The Pool made its first journey to the UAE for the Mother of The Nation Festival. The Pool possesses the unique ability to compliment public interaction with the exhibition through washes of vibrant color that follow users as they move amongst and on the illuminated platforms.

Jen Lewin combines her studies in engineering, computer programming, dance, music and film to create public artworks that engage the body and the senses. Her works have been featured at a variety of events, including the Istanbul Light Festival, Vivid Sydney 2014 and 2018, iLight Marina Bay, Signal Fest and Burning Man; art biennales in Denver, Colorado and Gwangju, South Korea; and solo exhibitions across the United States and in Mexico, Portugal and England.

Created in 2008, The Pool was installed at Light City Baltimore for the 2016 spring edition of the festival. A large-scale, interactive landscape built out of concentric rings of illuminated platforms, it is one of the most prolific traveling sculptures in the world.

The sculpture invites each individual to move around, among, and on the platforms, watching as their interactions create washes of vibrant color through the sculpture. Like all of Lewin’s work, The Pool allows for an unprecedented level of interactivity, transforming the way we interact with Art and each other, bringing everyone together in the Art of Play.

Created in 2008, The Pool joined the Bahrain Light Festival during the Spring of 2016. A large-scale, interactive landscape built out of concentric rings of illuminated platforms, it is one of the most prolific traveling sculptures in the world.

The sculpture invites each individual to move around, among, and on the platforms, watching as their interactions create washes of vibrant color through the sculpture. Like all of Lewin’s work, The Pool allows for an unprecedented level of interactivity, transforming the way we interact with Art and each other, bringing everyone together in the Art of Play.

An early arrival for Jen Lewin Studio’s later move to New York City, The Pool exhibited at Astor Place for Design Pavilion in 2016. Created in 2008 by American contemporary installation artist Jen Lewin, The Pool is large-scale, interactive landscape built out of concentric rings of illuminated platforms.

With over fifty installations worldwide, The Pool is one of the most prolific traveling sculptures in the world. Using custom, in-house technology, The Pool activates every installation location, bringing joy and a unique, interactive experience to each participant.

One of American contemporary installation artist Jen Lewin’s original interactive sculptures, The Pool joined WAVE Breckenridge during the Summer of 2016. The Pool possesses the unique ability to compliment public interaction with the exhibition through washes of vibrant color that follow users as they move amongst and on the illuminated platforms.

Jen Lewin combines her studies in engineering, computer programming, dance, music and film to create public artworks that engage the body and the senses. Her works have been featured at a variety of events, including the Istanbul Light Festival, Vivid Sydney 2014 and 2018, iLight Marina Bay, Signal Fest and Burning Man; art biennales in Denver, Colorado and Gwangju, South Korea; and solo exhibitions across the United States and in Mexico, Portugal and England.

Jen Lewin Studio was excited to exhibit The Pool at MidTown Crossing in Omaha, Nebraska. Created in 2008 by American contemporary installation artist Jen Lewin, The Pool is large-scale, interactive landscape built out of concentric rings of illuminated platforms.

With over fifty installations worldwide, The Pool is one of the most prolific traveling sculptures in the world. Using custom, in-house technology, The Pool activates every installation location, bringing joy and a unique, interactive experience to each participant.

Created in 2012 by American contemporary installation artist, Jen Lewin, Chandelier Harp returned to the Cherry Creek Arts Festival during the Summer of 2016.

Chandelier Harp is an interactive instrument played by passing your body through the low voltage lasers that shine from the Chandelier Harp to the ground. Much like plucking the string of a harp, passing through the beams triggers custom circuitry and sensors to produce musical notes. Users play to create an ambiance that is individual to the moment of interaction. When crowds flock to it and people start to play independently, the group’s chaotic activity give the piece life, as if everyone is, unknowingly, participating in a musical symphony. Each ‘string’ will mix its own library of sounds to create a depth and tone that compliments the public activity and random or organized play.

One of American contemporary installation artist Jen Lewin’s original interactive sculptures, The Pool came to Descanso Gardens for their inaugural Enchanted Forest of Light exhibition. The Pool possesses the unique ability to compliment public interaction with the exhibition through washes of vibrant color that follow users as they move amongst and on the illuminated platforms.

Jen Lewin combines her studies in engineering, computer programming, dance, music and film to create public artworks that engage the body and the senses. Her works have been featured at a variety of events, including the Istanbul Light Festival, Vivid Sydney 2014 and 2018, iLight Marina Bay, Signal Fest and Burning Man; art biennales in Denver, Colorado and Gwangju, South Korea; and solo exhibitions across the United States and in Mexico, Portugal and England.

During the Spring of 2017, Jen Lewin Studio collaborated with the Hong Kong Arts Festival to bring The Pool and Super Pool to 4 separate installations throughout Hong Kong over the course of 6 weeks. The Super Pool increases the diameter of The Pool and doubles the number of platforms in the sculpture, enhancing the number of participants that can join in the fun at any one time.

The sculptures invite each individual to move around, among, and on the platforms, watching as their interactions create washes of vibrant color through the sculpture. Like all of Lewin’s work, each allows for an unprecedented level of interactivity, transforming the way we interact with Art and each other, bringing everyone together in the Art of Play.

Jen Lewin Studio was excited to exhibit the first edition of Reflect at Light City Baltimore. Created by American contemporary installation artist Jen Lewin, Reflect is large-scale, interactive landscape built out of concentric rings of illuminated platforms that each possess an acrylic reflective film top. During the day, Reflect’s surface mirrors the sky, audience, and surrounding environment. At night, the sculpture engages visitors as they walk along its surface watching as their actions create swirling eddies of light. Like all of Lewin’s work, Reflect allows for an unprecedented level of interactivity, transforming the way we interact with Art and each other, bringing everyone together in the Art of Play.

Jen Lewin Studio was excited to team up with Green Spaces to exhibit The Pool at several different locations throughout the beautiful city of Chattanooga. Created in 2008 by American contemporary installation artist Jen Lewin, The Pool is large-scale, interactive landscape built out of concentric rings of illuminated platforms.

With over fifty installations worldwide, The Pool is one of the most prolific traveling sculptures in the world. Using custom, in-house technology, The Pool activates every installation location, bringing joy and a unique, interactive experience to each participant.

Created in 2008, The Pool was installed next to the Jaffa Gate at the Jerusalem Light Festival during the Summer of 2017. A large-scale, interactive landscape built out of concentric rings of illuminated platforms it is one of the most prolific traveling sculptures in the world.

The sculpture invites each individual to move around, among, and on the platforms, watching as their interactions create washes of vibrant color through the sculpture. Like all of Lewin’s work, The Pool allows for an unprecedented level of interactivity, transforming the way we interact with Art and each other, bringing everyone together in the Art of Play.

Jen Lewin’s site-specific, interactive sculpture Aqueous made its debut at the 2017 Burning Man. Created during the Summer of 2017, Aqueous invites all participants to move on, among, and around the sculpture, engaging in the Art of Play. To date, this remains the largest installation of the sculpture at over 10,000 sqft.

Derived from the Golden Ratio, each platform in Aqueous is created from a custom, rotationally molded form. During the day, Aqueous’ surface reflects the sky, audience, and surrounding environment. At night, Aqueous engages visitors as they walk along its surface watching as their actions create swirling eddies of light.

Jen Lewin Studio was excited to exhibit The Pool at the beautiful Jing An Kerry Center for the JKC Summer Program during the Summer of 2017. Created in 2008 by American contemporary installation artist Jen Lewin, The Pool is large-scale, interactive landscape built out of concentric rings of illuminated platforms.

With over fifty installations worldwide, The Pool is one of the most prolific traveling sculptures in the world. Using custom, in-house technology, The Pool activates every installation location, bringing joy and a unique, interactive experience to each participant.

Created in 2017, Jen Lewin’s unique, interactive sculpture Aqueous installed at the World’s Fair Nano. Like all of Lewin’s work the sculpture brings an unprecedented level of interactivity, transforming the way we interact with Art and each other.

Each installation of Aqueous is entirely site specific, allowing for completely unique installations anywhere in the world. Composed of hundreds of interactive, stand alone, modular platforms derived directly from the Golden Ratio, Aqueous grows to create a landscape of flowing modular light, controlled not from a single computer, router, or graphic system, but instead from the raw code that can process human interaction on each of Aqueous’s many independent yet connected platforms.

One of contemporary American installation artist Jen Lewin’s original large-scale interactive sculptures, The Pool exhibited at BLINK Cincinnati during the Fall of 2017. The Pool possesses the unique ability to compliment public interaction with the exhibition through washes of vibrant color that follow users as they move amongst and on the illuminated platforms.

Jen Lewin combines her studies in engineering, computer programming, dance, music and film to create public artworks that engage the body and the senses. Her works have been featured at a variety of events, including the Istanbul Light Festival, Vivid Sydney 2014 and 2018, iLight Marina Bay, Signal Fest and Burning Man; art biennales in Denver, Colorado and Gwangju, South Korea; and solo exhibitions across the United States and in Mexico, Portugal and England.

Created in 2008, The Pool was installed at Taikoo SanLitun in Beijing, China for a 4 week exhibition of Light’s Play during the Fall of 2017. A large-scale, interactive landscape built out of concentric rings of illuminated platforms it is one of the most prolific traveling sculptures in the world.

The sculpture invites each individual to move around, among, and on the platforms, watching as their interactions create washes of vibrant color through the sculpture. Like all of Lewin’s work, The Pool allows for an unprecedented level of interactivity, transforming the way we interact with Art and each other, bringing everyone together in the Art of Play.

Aqueous, an interactive light installation, installed at Descanso Garden’s Enchanted Forest of Light during the Winter of 2017. During the day, Aqueous’s surface reflects the sky, audience, and surrounding environment. At night, Aqueous engages visitors as they walk along its surface — lighting up as they step, move around, and along the pathway.

Jen Lewin combines her studies in engineering, computer programming, dance, music, and film to create public artworks that engage the body and the senses. Her works have been featured at a variety of events, including the Istanbul Light Festival, Vivid Sydney 2014 and 2018, iLight Marina Bay, Signal Fest and Burning Man; art biennales in Denver, Colorado and Gwangju, South Korea; and solo exhibitions across the United States and in Mexico, Portugal and England.

One of contemporary American installation artist Jen Lewin’s original large-scale interactive sculptures, The Pool joined Visual Arts Week at the Bellas Artes during the Fall of 2017. The Pool possesses the unique ability to compliment public interaction with the exhibition through washes of vibrant color that follow users as they move amongst and on the illuminated platforms.

Jen Lewin combines her studies in engineering, computer programming, dance, music and film to create public artworks that engage the body and the senses. Her works have been featured at a variety of events, including the Istanbul Light Festival, Vivid Sydney 2014 and 2018, iLight Marina Bay, Signal Fest and Burning Man; art biennales in Denver, Colorado and Gwangju, South Korea; and solo exhibitions across the United States and in Mexico, Portugal and England.

Jen Lewin’s site-specific, interactive sculpture Aqueous made its first visit to Georgetown GLOW. Created in 2017, Aqueous invites all participants to move on, among, and around the sculpture, engaging in the Art of Play.

Derived from the Golden Ratio, each platform in Aqueous is created from a custom, rotationally molded form. During the day, Aqueous’ surface reflects the sky, audience, and surrounding environment. At night, Aqueous will engages visitors as they walk along its surface watching as their actions create swirling eddies of light.

Jen Lewin’s site-specific, interactive sculpture Aqueous returned to Descanso Gardens’s Enchanted Forest of Light exhibition during the Winter of 2018. Created in 2017, Aqueous invites all participants to move on, among, and around the sculpture, engaging in the Art of Play.

Derived from the Golden Ratio, each platform in Aqueous is created from a custom, rotationally molded form. During the day, Aqueous’ surface reflects the sky, audience and surrounding environment. At night, Aqueous engages visitors as they walk along its surface watching as their actions create swirling eddies of light.

One of contemporary American installation artist Jen Lewin’s original large-scale interactive sculptures, The Pool exhibited at Light Yards in Washington DC during the Winter of 2018.

Jen Lewin combines her studies in engineering, computer programming, dance, music and film to create public artworks that engage the body and the senses. Her works have been featured at a variety of events, including the Istanbul Light Festival, Vivid Sydney 2014 and 2018, iLight Marina Bay, Signal Fest and Burning Man; art biennales in Denver, Colorado and Gwangju, South Korea; and solo exhibitions across the United States and in Mexico, Portugal and England.

One of contemporary American installation artist Jen Lewin’s original large-scale interactive sculptures, The Pool exhibited at the Banqiao Station in Taipei during the Winter of 2018. This marks the first installation of The Pool in Taiwan.

Jen Lewin combines her studies in engineering, computer programming, dance, music and film to create public artworks that engage the body and the senses. Her works have been featured at a variety of events, including the Istanbul Light Festival, Vivid Sydney 2014 and 2018, iLight Marina Bay, Signal Fest and Burning Man; art biennales in Denver, Colorado and Gwangju, South Korea; and solo exhibitions across the United States and in Mexico, Portugal and England.

Created in 2017, Jen Lewin’s unique, interactive sculpture Aqueous installed at the Bahrain Light Festival during the Winter of 2018. This was the second time a sculpture created by Jen Lewin was invited to participate in this exhibition. Like all of Lewin’s work Aqueous brings an unprecedented level of interactivity, transforming the way we interact with Art and each other.

Each installation of Aqueous is entirely site specific, allowing for completely unique installations anywhere in the world. Composed of hundreds of interactive, stand alone, modular platforms derived directly from the Golden Ratio, Aqueous grows to create a landscape of flowing modular light, controlled not from a single computer, router, or graphic system, but instead from the raw code that can process human interaction on each of Aqueous’s many independent yet connected platforms.

Aqueous, an interactive light installation, installed at the T-Mobile Arena for a single night exhibition during the Fall of 2018. During the day, Aqueous’s surface reflects the sky, audience, and surrounding environment. At night, Aqueous engages visitors as they walk along its surface — lighting up as they step, move around, and along the pathway.

Jen Lewin combines her studies in engineering, computer programming, dance, music and film to create public artworks that engage the body and the senses. Her works have been featured at a variety of events, including the Istanbul Light Festival, Vivid Sydney 2014 and 2018, iLight Marina Bay, Signal Fest and Burning Man; art biennales in Denver, Colorado and Gwangju, South Korea; and solo exhibitions across the United States and in Mexico, Portugal and England.

Jen Lewin’s site-specific, interactive sculpture Aqueous made its first visit to the island of Oahu, Hawaii for an exhibition at Kapolei Commons during the Winter of 2018. Created in 2017, Aqueous invites all participants to move on, among, and around the sculpture, engaging in the Art of Play.

Derived from the Golden Ratio, each platform in Aqueous is created from a custom, rotationally molded form. During the day, Aqueous’ surface reflects the sky, audience, and surrounding environment. At night, Aqueous engages visitors as they walk along its surface watching as their actions create swirling eddies of light.

Jen Lewin’s site-specific, interactive sculpture Aqueous made its first visit to VIVID Sydney in Sydney, Australia during the Spring of 2018. Created in 2017, Aqueous invites all participants to move on, among, and around the sculpture, engaging in the Art of Play.

Derived from the Golden Ratio, each platform in Aqueous is created from a custom, rotationally molded form. During the day, Aqueous’ surface reflects the sky, audience, and surrounding environment. At night, Aqueous engages visitors as they walk along its surface watching as their actions create swirling eddies of light.

Jen Lewin’s site-specific, interactive sculpture Aqueous joined reCODE in Los Angeles during the Spring of 2018. Created in 2017, Aqueous invites all participants to move on, among, and around the sculpture, engaging in the Art of Play.

Derived from the Golden Ratio, each platform in Aqueous is created from a custom, rotationally molded form. During the day, Aqueous’ surface reflects the sky, audience, and surrounding environment. At night, Aqueous engages visitors as they walk along its surface watching as their actions create swirling eddies of light.

Jen Lewin Studio was excited to exhibit The Pool at Klanglicht, in beautiful Graz, Austria. Created in 2008 by contemporary American installation artist Jen Lewin, The Pool is large-scale, interactive landscape built out of concentric rings of illuminated platforms.

With over fifty installations worldwide, The Pool is one of the most prolific traveling sculptures in the world. Using custom, in-house technology, The Pool activates every installation location, bringing joy and a unique, interactive experience to each participant.

Created in 2017, Jen Lewin’s unique, interactive sculpture Aqueous installed in Atlanta’s Museum of Design during the Spring of 2018. Like all of Lewin’s work the sculpture brings an unprecedented level of interactivity, transforming the way we interact with Art and each other.

Each installation of Aqueous is entirely site specific, allowing for completely unique installations anywhere in the world. Composed of hundreds of interactive, stand alone, modular platforms derived directly from the Golden Ratio, Aqueous grows to create a landscape of flowing modular light, controlled not from a single computer, router, or graphic system, but instead from the raw code that can process human interaction on each of Aqueous’s many independent yet connected platforms.

Jen Lewin Studio was excited to exhibit The Pool at the beautiful Stavros Niarchos Foundation Cultural Center during the Winter of 2019, marking the first time the sculpture had traveled to Greece. Created in 2008 by contemporary American installation artist Jen Lewin, The Pool is large-scale, interactive landscape built out of concentric rings of illuminated platforms.

With over fifty installations worldwide, The Pool is one of the most prolific traveling sculptures in the world. Using custom, inhouse technology, the sculpture activates every installation location, bringing joy and a unique, interactive experience to each participant.

Created in 2017, Jen Lewin’s unique, interactive sculpture Aqueous installed at Luminaria during the Winter of 2019-2020. Like all of Lewin’s work the sculpture brings an unprecedented level of interactivity, transforming the way we interact with Art and each other.

Each installation of Aqueous is entirely site specific, allowing for completely unique installations anywhere in the world. Composed of hundreds of interactive, stand alone, modular platforms derived directly from the Golden Ratio, Aqueous grows to create a landscape of flowing modular light, controlled not from a single computer, router, or graphic system, but instead from the raw code that can process human interaction on each of Aqueous’s many independent yet connected platforms.

Jen Lewin Studio was excited to exhibit The Pool at the beautiful Franklin Park Conservatory in Columbus Ohio. Created in 2008 by contemporary American installation artist Jen Lewin, The Pool is large-scale, interactive landscape built out of concentric rings of illuminated platforms.

The sculpture invites each individual to move around, among, and on the platforms, watching as their interactions create washes of vibrant color through the sculpture. Like all of Lewin’s work, The Pool allows for an unprecedented level of interactivity, transforming the way we interact with art and each other, bringing everyone together in the Art of Play.

Jen Lewin’s site-specific, interactive sculpture Aqueous made its third visit to Descanso Gardens’s exhibit, Enchanted Forest of Light. Created in 2017, Aqueous invites all participants to move on, among and around the sculpture, engaging in the Art of Play.

Derived from the Golden Ratio, each platform in Aqueous is created from a custom, rotationally molded form. During the day, Aqueous’ surface reflects the sky, audience and surrounding environment. At night, Aqueous will engages visitors as they walk along its surface watching as their actions create swirling eddies of light.

Aqueous, an interactive light installation, installed in Huntsville’s Big Spring Park during the Fall of 2019. During the day, Aqueous’s surface reflects the sky, audience, and surrounding environment. At night, Aqueous engages visitors as they walk along its surface — lighting up as they step, move around, and along the pathway.

Jen Lewin combines her studies in engineering, computer programming, dance, music and film to create public artworks that engage the body and the senses. Her works have been featured at a variety of events, including the Istanbul Light Festival, Vivid Sydney 2014 and 2018, iLight Marina Bay, Signal Fest and Burning Man; art biennales in Denver, Colorado and Gwangju, South Korea; and solo exhibitions across the United States and in Mexico, Portugal and England.

Created in 2017, Jen Lewin’s unique, interactive sculpture Aqueous installed at the Momentum Festival in Toledo, Ohio during the Fall of 2019. Like all of Lewin’s work the sculpture brings an unprecedented level of interactivity, transforming the way we interact with Art and each other.

Each installation of Aqueous is entirely site specific, allowing for completely unique installations anywhere in the world. Composed of hundreds of interactive, stand alone, modular platforms derived directly from the Golden Ratio, Aqueous grows to create a landscape of flowing modular light, controlled not from a single computer, router, or graphic system, but instead from the raw code that can process human interaction on each of Aqueous’s many independent yet connected platforms.

Created in 2012 by contemporary American installation Artist, Jen Lewin, Chandelier Harp installed at the Detroit Symphony Orchestra’s Sosnick Courtyard during the summer of 2019.

Chandelier Harp is an interactive instrument played by passing your body through the low voltage lasers that shine from the Chandelier Harp to the ground. Much like plucking the string of a harp, passing through the beams triggers custom circuitry and sensors to produce musical notes. Users play to create an ambiance that is individual to the moment of interaction.

During the Summer of 2019, contemporary American installation artist Jen Lewin introduced both of her sculptures, Aqueous and Chandelier Harp at Converge in Brooklyn, NY. Each sculpture invites the user to interact with the piece and other users around them, inviting everyone to join in the Art of Play.

Jen Lewin combines her studies in engineering, computer programming, dance, music and film to create public artworks that engage the body and the senses. Her works have been featured at a variety of events, including the Istanbul Light Festival, Vivid Sydney 2014 and 2018, iLight Marina Bay, Signal Fest and Burning Man; art biennales in Denver, Colorado and Gwangju, South Korea; and solo exhibitions across the United States and in Mexico, Portugal and England. Lewin has also designed and installed permanent public interactive sculptures worldwide, including the Sidewalk Harp in Minneapolis; Magical Harp in Palo Alto, Calif.; Promenade in Denver, Colo.; and Ascent in Coral Springs, Fla.

Created in 2012 by contemporary American installation Artist, Jen Lewin, Chandelier Harp installed at the World Economic Forum in Davos, Switzerland during the Winter of 2018.

Chandelier Harp is an interactive instrument played by passing your body through the low voltage lasers that shine from the Chandelier Harp to the ground. Much like plucking the string of a harp, passing through the beams triggers custom circuitry and sensors to produce musical notes. Users play to create an ambiance that is individual to the moment of interaction. When crowds flock to it and people start to play independently, the group’s chaotic activity give the piece life, as if everyone is, unknowingly, participating in a musical symphony. Each ‘string’ will mix its own library of sounds to create a depth and tone that compliments the public activity and random or organized play.

Created in 2008, The Pool was installed at Westquay, Southampton in February of 2020. A large-scale, interactive landscape built out of concentric rings of illuminated platforms it is one of the most prolific traveling sculptures in the world.

The sculpture invites each individual to move around, among, and on the platforms, watching as their interactions create washes of vibrant color through the sculpture. Like all of Lewin’s work, The Pool allows for an unprecedented level of interactivity, transforming the way we interact with art and each other, bringing everyone together in the Art of Play.